Fifteen projects are represented. Here are a few:
An author of a recent Dracula novel studied the Rosenbach's notes for Dracula, composed by Bram Stoker over seven years, for characters and plot threads not used in the final version.
The assistant general manager of a local gourmet foods store is using the Rosenbach's "Mr. Allen's method of curing bacon" to reproduce a 19th-century version of the food.
A student at the Moore School of Art, who came to the Rosenbach to research Maurice Sendak and music for an art history class, ended up using his illustrations from Outside Over There as inspiration for her final fashion collection. A dress from her show is on display and is a major crowd-pleaser.
A biographer, using the Rosenbach's extensive Marianne Moore collection, discovered that Moore's interest in the philosophy of William James and the novels of his brother Henry may have had its roots in her college crush on William's daughter Peggy at Bryn Mawr.
And so on.
For each project, the exhibit provides the Rosenbach source material, a description of the research and the final work. This gives visitors unusual insight into scholarly and creative inspiration and process. For those works which cannot be fit into a glass case, there is a computer terminal-- where, for instance, you can see the fashion show mentioned above or read my blog, "Rebecca Gratz & 19th-Century America," which is among the projects covered.
The examples I have chosen highlight a Rosenbach policy: although many academics use its collections, you need not be one to gain access to them. Click here for more information about research at the Rosenbach.
The exhibition will run through March 25, 2012.
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