Thursday, June 30, 2011

Difficulties in Naming Babies

Rebecca delighted in the happy marriage of her brother Benjamin and Maria Cecil Gist. After the couple's first visit to Philadelphia from their home in Kentucky, she wrote:

"[I]ndeed, Maria, separation from him [Ben] is a severe conflict -- which the conviction that he is happy, would alone reconcile me to -- and that you, dearest, make him so is a source of never failing gratitude to your sister's heart -- may you long enjoy every felicity together."

But even the happiest of couples do not agree on everything, and after their second visit to Philadelphia in 1823 with a 2-year-old and a new baby in tow, Rebecca records a serious disagreement: Maria and Ben had not yet settled on a given name for either of their two sons. In her usual diplomatic fashion, Rebecca comments on the situation:

"I like your idea of combining an agreeable association with the denomination of a child and that is the reason family names are so constantly perpetuated from one generation to another -- but then fashion and fancy are so various and our children not feeling the dignity of bearing a title down to posterity which sounded well to antedeluvean ears and in ancient tongues may not sympathize with our taste...hence the difficulty I have witnessed in other parents before you though I must confess it has continued longer with you than most others --....pray seek out from among your or our relations some well sounding as well as good name or else let the dear little fellows be the first of the Gratzes to bring a handsome name into the family for their grandchildren to carry forward."

So what was going on here? because two years is an excessive wait for a given name. If we look at what the final name choices are, it is possible to make an educated guess as to what was at the root of the problem. The older boy would shortly become officially "Benjamin Gratz," the second son "Michael Bernard Gratz," and this suggests a difference over what was an appropriate name for the first son.

If you have read Albion's Seed: Four British Folkways in America, David Hackett Fischer's study of customs brought by colonists from four different sections of Britain, you know that naming traditions can vary even within one ethnic group. But by 1820, many of the older English naming customs were weakening. The Gist's had no tradition of naming an eldest son for his father, nor was it usual among the old Virginia families from which Maria's mother came. The choice of "Benjamin" must have been Maria's own, an instance of American individualism, a token of her love for her husband, and perhaps an unconscious effort to bind him more closely to her and her child. We can be sure it was Maria's choice, and not Ben's, because it goes counter to the Gratz family's naming traditions.

To be continued.

(The quotations are from Letters of Rebecca Gratz, edited by Rabbi David Philipson.)


Wednesday, June 22, 2011

More about Boys' Dresses & "Breeching"

In January of 2010, I posted "Boys' Dresses & 'Breeching,'" which became the single most popular entry in my Rebecca Gratz blog for that year. Its source was a letter Rebecca's sister Richea Hays had written in 1799, in which she crowed about her three-year-old son's initiation into trousers and jacket.

Now I have found a comment by Rebecca herself from many years later (1847). This time it is a great-nephew who has been breeched around the time of his third birthday. Rebecca had received a visit from her niece Miriam and her family, from Savannah, a few months previous to the letter. Miriam's son Gratz Cohen was still wearing the skirts of a baby at the time. Rebecca's response to the news that he had started wearing trousers is a mix of sentiment, good sense and sound observation:

"The infantile costume became him so well that I was unwilling to have it changed. There is so much more freedom in the motions of a child's limbs in the loose dress than when buttoned up in trousers which has neither grace nor ease, that I wonder parents do not prefer to keep them longer on -- but the [boast?] of man's prerogative is assumed with his change of dress -- and little boys fancy they are becoming men, much faster as soon as they throw off [their] frocks!"

(The letter is in the Miriam Gratz Moses Cohen Collection, No.02639, the Southern Historical Collection, the University of North Carolina at Chapel Hill.)

Monday, June 6, 2011

The Lost Portraits of Mrs. Benjamin Gratz: Have You Seen Maria?

Photo of a "crayon" copy of the portrait of Mrs. Benjamin Gratz (Maria
Cecil Gist) by Thomas Sully, Philadelphia, 1831. Courtesy of the Rosenbach
Museum & Library. From the bequest of Mrs. Anderson Gratz, 1984.


Just as Rebecca Gratz was having her portrait painted by Thomas Sully in December of 1830, her brother and sister-in-law Benjamin and Maria Gratz arrived from their home in Lexington, KY, for a long visit in Philadelphia.

Sully's portrait must have been deemed successful because the family decided that he should paint portraits of Ben and Maria for the Philadelphia Gratz's. In April 1831, he produced them and, at Maria's request, then painted another portrait of Rebecca to go back to Kentucky.

Three of these four paintings reside today at the Rosenbach Museum & Library in Philadelphia:
Sully's first portrait of Rebecca, his portrait of Benjamin and his second painting of Rebecca, all given by or acquired from Gratz descendants. But no one knows what has become of Sully's portrait of Maria Cecil Gist Gratz, Ben's wife. Although a family member gave the Museum Matthew Jouett's portrait of Maria, done around the time of her marriage, it would certainly be nice to see her companion portrait by Sully beside that of her husband.

We are fortunate that among the materials which one Gratz descendant provided was the photograph, reproduced above, of a copy of the painting of Maria. This version is supposed to have been done in pastels, but the artist and date are unknown, as is its whereabouts.

We also know that Rebecca Gratz had the artist John Henry Brown make a miniature from Sully's original painting of Maria in 1844. The Rosenbach has a photograph of it in its collection, but Brown's portrait itself has also disappeared.

Although it is certainly possible that one of these likenesses might have been accidentally destroyed in the course of time, it seems unlikely that not a single one has survived. So look around, check the attic and friends' homes, visit your local museum. If you have seen one of these pictures of Maria, or own one of them, please contact Judith Guston, the curator at the Rosenbach, or me.


February 2012, update: For information on how two of these portraits were found, click here.










Sunday, May 22, 2011

Civil War Letters: May 22, 1861

On May 22, 1861, Rebecca wrote a thank you note to her nephew-in-law Solomon Cohen, of Savannah, an enthusiastic supporter of slavery. He had sent his condolences on the recent death of her friend and companion Julia Hoffman. Thinking of Julia's death, Rebecca begins by quoting scripture:

"'The righteous are removed from the evil to come' and thus I ponder on the destiny our unhappy country torn by evils of our own creating. How many we love may be sacrificed by the coming strife! My only comfort is that we shall love and pray for each other through all changes and chances of this life."

She was determined to preserve affectionate ties within the family, and she would succeed in this. However, her dark forbodings proved true: Cohen will lose his only son in the War; Rebecca, not only this great-nephew on the side of the South, but also a beloved nephew fighting for the Union.

(Rebecca's letter is in the Miriam Gratz Moses Cohen Collection, No. 02639, the Southern Historical Collection, the University of North Carolina at Chapel Hill.)


Tuesday, May 3, 2011

Benjamin Gratz, Civic Leader

Earlier this year, Mayor Jim Gray of Lexington, Kentucky, spoke in his inaugural speech of the "remarkable people who shaped and formed this city." One name he invoked was that of Benjamin Gratz, Rebecca Gratz's youngest brother. Although he was never the mayor of Lexington, Gratz was the sort of man any mayor would want in his locality.

During his long and active life in Kentucky (1819 to 1884) Gratz owned rope and bagging factories. He was an incorporator of the Lexington & Ohio Railroad, and its second president. He was also on the first Board of Directors of the Bank of Kentucky and a Director of the Northern Bank of Kentucky.

Besides the economic benefits of Gratz's business activities, Lexington also gained from his sense of civic responsibility. He was on the Board of Trustees of Transylvania University for 63 years, and participated in the successful effort to bring the University of Kentucky to Lexington. He sat on the Lexington Council which organized the city's first public library, was a founder of the Lexington Cemetery and the first president of the Kentucky Agricultural & Mechanical Association.

He was on the welcoming committees for LaFayette's visit to Lexington in 1825 and for William Henry Harrison's visit in 1840, and on the funeral and monument committees for Senator Henry Clay.

For the nation's centennial celebration in 1876, Gratz secured land for a pleasure ground for Lexington residents. Several years later, the city renamed it Gratz Park in his honor.

A description of Ben in his old age appeared in a history of the area in 1882: "Though Mr. Gratz lost his sight in 1876, he has never ceased to interest himself in the material and moral welfare of Lexington, where he has continued to reside, deeply respected by all classes of the people....The old gentleman adheres to the faith of his forefathers; takes his daily walks amid physical darkness, and has a friendly greeting for all, for all are his friends, and as he has a retentive memory and a thorough appreciation of passing events, his conversation is particularly interesting."

(The major sources for this post are the Kentucky Encyclopedia and Perrin's History of Fayette County, Kentucky.)

Wednesday, April 27, 2011

Rebecca & Mixed Marriages

Rebecca Gratz gave up the man she loved for religious reasons: he was Presbyterian and she was Jewish. In a poem written in 1807, two years after Samuel Ewing proposed marriage, Rebecca recalled her happiness during their brief engagement and how it was ended when "interfering religion...called [her] home."

Ten years later in 1817, and two years before her brother Benjamin married Maria Cecil Gist, Rebecca spoke of her feelings on mixed marriages:

"I believe it is impossible to reconcile a matrimonial engagement between persons of so different a creed without requiring one or the other to yield. In all instances we have heard of in real life this has been the case and where a family of children are to be brought up it appears necessary that parents should agree on so important a subject. I have known many Jews marry Christian women whose wives have become strict conformists to the rites of our religion -- and Jewesses married to Christians who have entered the church as in the instance of my Aunt Schuyler [her mother's younger sister Shinah Simon who married Nicholas Schuyler]...."

Rebecca believed in one family, one religion, but you will note that in each of her examples it was the woman who converted. Given these facts, it would seem that the desire for a religiously unified family and her reluctance to convert were probably at the heart of her renunciation of Samuel Ewing.

When in 1819 Rebecca received a letter from her youngest brother Benjamin announcing that he would be marrying Maria Cecil Gist, a non-Jewish Kentucky woman whom he had met in Philadelphia the previous summer, it created conflicts for her. She had also met Maria, and had been drawn to her by their mutual interests and similar values. But Ben must have written that he and Maria would continue to follow their individual religious traditions, which she thought to be an unworkable plan. She wrote about her feelings to her friend Maria Fenno Hoffman:

"I hope mine is not a narrow creed. My most cherished friends and the companions of my choice have generally been worshipers of a different faith from mine and I have not loved them less on that account. But in a family connection I have always thought conformity of religious opinions essential and there fore could not approve my brother's election. In other respects Miss Gist is a woman any family might be proud to receive, and as they have resolved to blend their fate I most sincerely hope they may find the means to worship God faithfully and without offense to each other."

Rebecca also wrote to Ben, a letter which has gone missing, due, I would guess, to a little family editing. She must have voiced the same concerns to her brother. It would have been very interesting to see how she expressed herself on this occasion and what exactly she suggested, especially because Ben showed Rebecca's letter to Maria.

There cannot have been anything personally offensive to Maria in it, but Ben's fiancee may have felt betrayed by a woman she had taken to be her friend. She did not realize that important as religion was to Rebecca, family ties came first. Once Maria had married Ben, Rebecca would accept her wholeheartedly. However, the correspondence between the two new sisters-in-law began a bit awkwardly; once Maria and Ben visited Philadelphia in 1821 with their new baby the easy friendship the two women felt for each other when they first met reasserted itself. They would be the best of friends until Maria's untimely death in 1841. (Most of the letters in Letters of Rebecca Gratz are addressed to Maria.)

In 1825, Rebecca was able to write to Ben, "I love your dear Maria, and admire the forbearance which leaves unmolested the religious opinions she knows are sacred in your estimation. May you both continue to worship according to the dictates of your conscience and your orisons be equally acceptable to the throne of Grace...."

We know from the correspondence that the Gratz family of Lexington, Kentucky, observed Jewish holidays as well as Christian ones. The children were reared in Maria's Episcopalian faith, but Benjamin retained his Jewish identity throughout his life. In 1884, when he died in his 92nd year, a rabbi presided over his funeral service.

(Rebecca's letters from 1817 and 1819 are from the Gratz Family Collection at the American Jewish Historical Society. The 1825 letter is published in Letters of Rebecca Gratz.)

Sunday, April 17, 2011

The Civil War Begins

As Confederate troops bombarded Fort Sumter, Rebecca was concerned with matters nearer at hand. Many years before, she had promised her dying friend Maria Fenno Hoffman to look after her children. Following the death of Maria's widower Josiah Ogden Hoffman in 1837, it was found that the family fortune was gone. The two sons were unmarried and working but did not have enough money to provide a home for their sister Julia. From that point on Julia spent her life as a guest in others' homes. Eventually she was able to summer with her brother George and his wife on their farm in central Pennsylvania, take extended visits with her cousins in Boston and Fishkill NY and have her winter home with Rebecca, where the Gratz's treated her as one of the family. In April of 1861, Julia, who had suffered from a digestive disorder for years, was seriously ill, and Rebecca had moved into the bedchamber closest to hers to better care for her.

By this time Rebecca's large household had shrunk to only one nephew, Horace Moses, and she had come to rely greatly on Julia's companionship. As she would later remark, at eighty she had taken for granted that Julia, nearly 30 years younger, would survive her. Anxiously caring for her friend, it was not until April 17, 1861, that Rebecca sat down to write her niece Miriam Cohen in Savannah "in anticipation" of future difficulties in communicating.

Miriam had married a Southerner and had lived in South Carolina and Georgia for nearly a quarter of a century, and it was obvious, from early in her marriage, that she had become an enthusiast, like her husband, for slavery and states' rights. From about 1840 on, Rebecca no longer brought up in her letters to Miriam anything on which they might disagree. And so Rebecca starts this April 1861 letter with family matters, but on the second page, she cannot stop herself from voicing her anguish:

"The horrors of civil war, separation from dear friends and multitudes of unknown troubles seem to hover over us in frightful array. It strikes me that there is no glory in such warfare -- whichever side succeeds, his brother fails. I have not yet learned to narrow my patriotism to a single section of my country. May God assist us to bring a right understanding about, without bloodshed in this unholy struggle."

Rebecca was a Unionist, but here she writes only of her anti-war feelings. So rational herself, she was at a loss to understand that anyone could prefer violence to some compromise which would keep the peace and the Union intact.

Particularly interesting is her statement about limiting her patriotism. Some historians have suggested that Americans were much more attached to their states than to the nation, and this may be true in some regions. (Early on in their correspondence, Rebecca commented that Miriam had become quite a Georgian.) Yet in about seventy years worth of letters Rebecca never refers to herself as a Pennsylvanian nor does she glory in her region's superiority or in the inferiority of other parts of the country. She always sees herself as an American.

Perhaps this was a legacy of being among the first generation to grow up as citizens of the United States. Rebecca and her contemporaries were very aware of the fact that they were part of a political and social experiment which Europeans were watching with interest and in some cases with the hope that the new nation would fail. When the government removed Native Americans from the East, although she opposed it, Rebecca felt a responsibility because she was an American. That identification was much more central to her than any political or regional connection. Sadly, by the time of the Civil War, Rebecca had few contemporaries left to watch with her as the nation stood on the brink of self-destruction and to speak out for their old ideals.

All unknowing of her own prescience, Rebecca also writes in her letter that whichever side wins, "his brother" loses. In less than four months this terrible fate would fall upon her own family at the Battle of Wilson's Creek. But before that tragedy, she had to face another grief: Julia Hoffman died on April 28, 1861.

(Rebecca's letter is in the Miriam Gratz Moses Cohen Papers, No. 02639, Southern Historical Collection, University of North Carolina at Chapel Hill.)



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